looneytunesalmostcompletes1929s20111086of

Looneytunesalmostcompletes1929s20111086of -

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  • عروض اخري
  • افلام اجنبي
  • 2013
  • 720p WEB-DL
  • دراما

As it turned out, Daffy had stumbled upon an obscure reference to a 1929 patent application for a revolutionary new animation technique. The application, filed by a then-unknown animator named Walt Disney, described a method for creating synchronized sound in cartoons. The cryptic code, Daffy explained, was a fractional reference to the patent's filing number.

"LOONEY TUNES ALMOST COMPLETES 1929'S 2011/1086 OF. MEET ME AT THE OLD WINDMILL ON RUE 66 AT MIDNIGHT. COME ALONE."

The message was unsigned, but the cryptic code seemed to hint at a long-lost treasure or a valuable intellectual property. Schlesinger, being a curious and shrewd businessman, decided to investigate further. He assembled a team of his most trusted colleagues, including animation director Tom Folland and writer Michael Maltese.

The note revealed that Disney had been experimenting with sound in animation and had developed a technique that would change the industry forever. However, he needed partners to help him refine the technology. The portfolio also included a draft agreement, proposing a partnership between Disney and Warner Bros.

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Looneytunesalmostcompletes1929s20111086of -

As it turned out, Daffy had stumbled upon an obscure reference to a 1929 patent application for a revolutionary new animation technique. The application, filed by a then-unknown animator named Walt Disney, described a method for creating synchronized sound in cartoons. The cryptic code, Daffy explained, was a fractional reference to the patent's filing number.

"LOONEY TUNES ALMOST COMPLETES 1929'S 2011/1086 OF. MEET ME AT THE OLD WINDMILL ON RUE 66 AT MIDNIGHT. COME ALONE."

The message was unsigned, but the cryptic code seemed to hint at a long-lost treasure or a valuable intellectual property. Schlesinger, being a curious and shrewd businessman, decided to investigate further. He assembled a team of his most trusted colleagues, including animation director Tom Folland and writer Michael Maltese.

The note revealed that Disney had been experimenting with sound in animation and had developed a technique that would change the industry forever. However, he needed partners to help him refine the technology. The portfolio also included a draft agreement, proposing a partnership between Disney and Warner Bros.

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